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Ben Fritz

The Big Picture

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A Los Angeles Times Bestseller
Winner of the Best Non-Fiction Book Prize at the 2018 National Arts & Entertainment Journalism Awards
“Ben Fritz crafts an electrifying and essential book that carefully chronicles how Hollywood tradition is collapsing and new models are fueling the future. A must-read.”—Ava DuVernay, director of A Wrinkle in Time, Selma, and 13th
The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film

Ben Fritz chronicles the dramatic shakeup of America’s film industry, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He offers us an unprecedented look deep inside a Hollywood studio to explain why sophisticated movies for adults are an endangered species while franchises and super-heroes have come to dominate the cinematic landscape. And through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others, he reveals how the movie business is being reinvented.
Despite the destruction of the studios’ traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what entertainment will look like in the new era.
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381 trycksidor
Ursprunglig publicering
2018
Utgivningsår
2018
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Citat

  • Максим Скорыхhar citeratför 2 år sedan
    to many foreign moviegoers, that response is somewhere between condescending and confounding—the equivalent of complaining that there aren’t enough modern art installations at Disneyland
  • Максим Скорыхhar citeratför 2 år sedan
    movies that appealed to audiences in Russia, Brazil, and China. These consumers weren’t likely to understand the cultural subtleties of an American drama or to consider people talking or even running for their lives to be adequate bang for their buck on an expensive night out. They expected spectacle, particularly if they were paying premiums for an IMAX or 3D screen, and they wanted stories that made sense to a villager in China, a resident of Rio de Janeiro, or a teenager in Kansas City.
    Transformers, in other words. And The Avengers. And Jurassic World and Fast and Furious and Star Wars
  • Максим Скорыхhar citeratför 2 år sedan
    Of the top fifty movies at the global box office between 2012 and 2016, forty-three were sequels, spinoffs, or adaptations of popular comic books and young-adult novels (five of the remaining seven were family animation, the sole genre in which originality still consistently works)

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