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Haruki Murakami

Kafka on the Shore

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The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen--it's page thirteen in Kafka On The Shore--the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be «the world¹s toughest fifteen-year-old.» He finds a secluded private library in which to spend his days--continuing his impressive self-education--and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful __, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end. --Regina Marler
From Publishers WeeklyStarred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal—we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders—but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings—mind-bending talk of parallel worlds, events occurring outside of time—and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they “get” it or not. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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602 trycksidor
Utgivningsår
2015
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Intryck

  • nataliaescortesdelade ett intryckför 5 år sedan
    👍Värt att läsa
    🔮Oanat djup
    🎯Givande

    As always Murakami stories leave you wanting more. This story, in particular, showcase an intriguing and amazing journey to forgiveness and self discovery. At the end this book goes beyond your expectations.

  • Alejandradelade ett intryckför 4 år sedan
    🔮Oanat djup
    🎯Givande

    I really like this book even though I'm pretty sure that I don't get the whole meaning. I'm going to re-read this book some day that's for sure.

  • Stelladelade ett intryckför 6 månader sedan

    A work of art. Pretty dazzling and intense psychology , this genre is not for everyone because it can be mentally destructive and if you can't overcome that kind of destruction then you really shouldn't read it, but for people who enjoy highs and lows in everything you gotta read this.

Citat

  • Evahar citeratför 7 år sedan
    Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time. It’s just a natural feeling.
  • Aamir Shahzad Arrarhar citeratför 4 år sedan
    "Kafka, in everybody's life there's a point of no return. And in a very few cases, a point where you can't go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That's how we survive."
  • aytajismayillihar citeratför 5 år sedan
    And once the storm is over you won’t remember how you made it through, how you managed to survive. You won’t even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won’t be the same person who walked in

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