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Graham Greene

The End of the Affair

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Graham Greene’s masterful novel of love and betrayal in World War II London is “undeniably a major work of art” (The New Yorker).
Maurice Bendrix, a writer in Clapham during the Blitz, develops an acquaintance with Sarah Miles, the bored, beautiful wife of a dull civil servant named Henry. Maurice claims it’s to divine a character for his novel-in-progress. That’s the first deception. What he really wants is Sarah, and what Sarah needs is a man with passion. So begins a series of reckless trysts doomed by Maurice’s increasing romantic demands and Sarah’s tortured sense of guilt. Then, after Maurice miraculously survives a bombing, Sarah ends the affair—quickly, absolutely, and without explanation. It’s only when Maurice crosses paths with Sarah’s husband that he discovers the fallout of their duplicity—and it’s more unexpected than Maurice, Henry, or Sarah herself could have imagined.
Adapted for film in both 1956 and 1999, Greene’s novel of all that inspires love—and all that poisons it—is “singularly moving and beautiful” (Evelyn Waugh).
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243 trycksidor
Ursprunglig publicering
2018
Utgivningsår
2018
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Citat

  • Pony Neónhar citeratför 5 år sedan
    There was no pursuit and no seduction. We left half the good steak on our plates and a third of the bottle of claret and came out into Maiden Lane with the same intention in both our minds. At exactly the same spot as before, by the doorway and the grill, we kissed. I said, ‘I’m in love.’
    ‘Me too.’
  • Adnan Afaqhar citeratför 3 år sedan
    I had always been irritated by that mechanical response to her presence because it meant nothing—one cannot always welcome a woman’s presence, even if one is in love, and I believed Sarah when she told me they had never been in love.
  • Adnan Afaqhar citeratför 3 år sedan
    What a dull lifeless quality this bitterness is.

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