Christopher Booker

Christopher John Penrice Booker is an English journalist and author.

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Zerehar citeratför 2 år sedan
The next thing of which we can be sure is that the action which the hero or heroine are being drawn into will involve conflict and uncertainty, because without some measure of both there cannot be a story. Where there is a hero there may also be a villain (on some occasions, indeed, the hero himself may be the villain). But even if the characters in the story are not necessarily contrasted in such black-and-white terms as `goodies' and `baddies, it is likely that some will be on the side of the hero or heroine, as friends and allies, while others will be out to oppose them
Zerehar citeratför 2 år sedan
The essence of the `Overcoming the Monster' story is simple. Both we and the hero are made aware of the existence of some superhuman embodiment of evil power. This monster may take human form (e.g., a giant or a witch); the form of an animal (a wolf, a dragon, a shark); or a combination of both (the Minotaur, the Sphinx). It is always deadly, threatening destruction to those who cross its path or fall into its clutches. Often it is threatening an entire community or kingdom, even mankind and the world in general. But the monster often also has in its clutches some great prize, a priceless treasure or a beautiful `Princess'.
So powerful is the presence of this figure, so great the sense of threat which emanates from it, that the only thing which matters to us as we follow the story is that it should be killed and its dark power overthrown. Eventually the hero must confront the monster, often armed with some kind of `magic weapons, and usually in or near its lair, which is likely to be in a cave, a forest, a castle, a lake, the sea, or some other deep and enclosed place. Battle is joined and it seems that, against such terrifying odds, the hero cannot possibly win. Indeed there is a moment when his destruction seems all but inevitable. But at the last moment, as the story reaches its climax, there is a dramatic reversal. The hero makes a `thrilling escape from death' and the monster is slain. The hero's reward is beyond price. He wins the treasure, or the hand of the `Princess. He has liberated the world - community, kingdom, the human race - from the shadow of this threat to its survival. And in honour of his achievement, he may well go on to become some kind of ruler or king.
Zerehar citeratför 2 år sedan
1. In its first `active' role, the monster is Predator. It wanders menacingly or treacherously through the world, seeking to force or to trick people into its power. It may have a lair which it sallies out from, but primarily in this role it is looking for victims. It `walketh about seeking whom it may devour, spreading fear and destruction, and casting a shadow wherever its influence is felt.
2. The monster's second, more `passive' role is as Holdfast. It sits in or near its lair, usually jealously guarding the `treasure' or the `Princess' it has won into its clutches. It is in this role a keeper and a hoarder, broody, suspicious, threatening destruction to all who come near.
3. When its guardianship is in any way challenged, the monster enters its third role as Avenger. It lashes out viciously, stirring from its lair, bent on pursuit and revenge.
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